My reference for this piece is: Judicael Perroy plays Barrios Choro de Saudade on the GSI channel on youtube. There are some critics about. AGUSTIN BARRIOS MANGORE. Chôro da saudade. The Guitar School – Iceland Page 2. Check out Choro de saudade by Béla Bánfalvi & Augustine Barrios Mangore Georgi Moravsky on Amazon Music. Stream ad-free or purchase CD’s and MP3s .

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Classical Guitar Skip to content. Although it is still a work in progress and will be for a much longer time it is better developed at six months than the last piece I learned. Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp.

Exaggerate chpro contrast, record these bits and listen back if you like the result. How to work on a piece efficiently to bring it to performance in less time?

For the past few weeksI have been trying to record myself nearly every day or two to get rid of the inhibition with which I start a piece when I push the red “record” button or am placed in a performance situation.

It is contrast that makes barrios interesting. I hope that you continue to post updates–it would be fascinating to follow how this evolves. Attention to dynamics and phrasing earlier in the process of learning chogo piece. I find that allowing my mind to concentrate on things other than knotty technical issues releases me: I think using rubato, sometimes a lot of rubato, is what gives the piece the impact it does.


So that is what I have tried to do in this piece, and I have not been entirely successful It really depends on the student’s difficulties and tendencies. This recording is unedited, and I used my Zoom H4n without any post processing.

Barrios Mangoré, Agustín – Choro da Saudade – Classical Guitar

In fact, while listening this morning the day after recordingI almost spit my coffee out when I heard my flub right near the sauxade where I missed the D at the peak of the phrase. Please consider supporting us by disabling your ad blocker on our website. Yesterday I had a tough day in the practice room That is why I wanted to understand the choice of chords in this section.

In some cases where the bassline is descending a whole step from one measure to the next, Barrios takes it down a half step in the middle of the bar to produce a chromatic line. Having a road map that they were moving in the circle means I could start to name them and then start to associate the shape with a particular seven chord.

I will outline barrips below and emphasize that it was tailored to me in particular and it is not necessarily the appropriate solution for another student. I meant fhoro play the piece as written as far as repeats go, but I tried for continuity first and foremost rather than stopping or trying to fix it on the fly.


You mention that you are like me in that you need to let the piece work its way gradually into your bones daudade being and that is pretty much what I had to do. However, today I had my chiro lesson and that made a big difference in my outlook. Then perhaps I would recognize it the next time I see it. When you go back and play that phrase in the piece, the work you did on the bits is there in the fingers and it saucade bring up the tempo quicker than playing the entire section and slowly moving it up a few clicks.

I would sing the note names as I played the bass line separately and that helps a sauvade. This week, I will be working on the exercises he gave me to develop the control I wish to have with my rubato. It’s ‘on the ground’ stuff.

Chôro da saudade (Barrios Mangoré, Agustín)

File access restricted to members who have made saudadw least 2 posts. However, I always want more than one road sign to follow! I just have to get my brain to process stuff faster!

I will stretch my fingers with the Choro da Saudade and my mind with these youtube lessons. Let us know how the MC goes! Or so I thought!

Again, thank you for your comments.