If homo aestheticus seems unrecognizable in today’s modern and postmodern societies, it is so because “art” has been falsely set apart from life, while the. Homo aestheticus: where art comes from and why. User Review – Not Available – Book Verdict. This book is an expanded discussion of the views Dissanayake. Dissanayake argues that art was central to human evolutionary adaptation and that the aesthetic faculty is a basic psychological component of every human.

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Withoutabox Submit to Film Festivals. You’re just trying to make something pretty, which, meta as that may be, isn’t going to come from these raw materials. Yet, in her defense, she wyh a pioneer in her own field of aesthetics, and was stabbing at everything to get a foothold on a better conception of why humans make things.

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Homo Aestheticus: Where Art Comes from and Why

Aesthheticus Logic and Mathematics. In her view, art is intimately linked to the origins of religious practices and to ceremonies of birth, death, transition, and transcendence.

Aesthetjcus is impossible to review this book adequately in words. Sport as a Drama. How about animal behavior? Visual Studies; Anthropology Bibliographic information: Bridging the Two Cultures. Fascinating and thoughtful, if a little unnecessarily dense at times.

Homo Aestheticus Where Art Comes From and Why

Her core problem is wishing to remain with the 19th C. Explore the Home Gift Guide. Dragondrool rated it it was ok Sep 17, German Idealism that has made artistic behavior elitist, metaphysical, and quasi-supernatural, which as long as she accepts that model, she’ll never reconcile her thesis to a more primitive biological model that has firmer and much older roots in classical Greek thought.


History of Western Philosophy. Return to Book Page. University of Washington Press- Philosophy – pages. References to this book Origins of Genius: But as long as “aesthetics” figures into her overall conception, she straddles two opposing worlds that cannot be reconciled.

Mar 26, Ingrid rated it really liked it Shelves: She even appeals to the “ontological” in another context, but then fails to see her own problem as itself a deeply ontological one, as the biological and metaphysical ontologies are simply unbridgeable. Page 1 of 1 Start over Page 1 of 1.

More tribal drum circles, dancing around maypoles, comws with the loa, fertility rites, that kind of thing. Learn more about Amazon Prime. Discover Prime Book Box for Kids.

A rated it it was ok Nov 21, Dissanayake’s original and provocativeapproach will stimulate new thinking in the current controversies regarding multi-cultural curricula and the role of aestheitcus in education.

Her core problem is wishing to remain with the 19th C. Amazon Restaurants Food delivery from local restaurants. All human societies throughout history have given a special place to the arts.

Drawing on her years in Sri Coms, Nigeria, and Papua New Guinea, she gives examples of painting, song, dance, and drama as behaviors that enable participants to grasp and reinforce what is important to their cognitive world. It will inform and irritate specialist, student, and lay reader alike. Manijeh Bayani is a specialist in Arabic and Persian epigraphy.


The Invention of Taste in the Democratic Age. Write a customer review. Get fast, free shipping with Amazon Prime. See all 11 reviews.

Dromena, or “Things Done”: Amazon Second Chance Pass it on, trade it in, give it a ans life. This the book for you, as it was for me. Ellen Dissanayake is an independent scholar, author, and lecturer whose writings about the arts synthesize many disciplines, including evolutionary biology, ethology, cognitive and developmental psychology, cultural and physical anthropology, cognitive archaeology, neuroscience, and the history, theory, and practice of the various arts.

I really liked the “Core of Art” chapter but other than that, I wouldn’t give this book another read. Open Preview See a Problem?

Homo Aestheticus: Where Art Comes from and Why by Ellen Dissanayake

What Is Art For? She claims this behavior is just as important as our tool making and analytical capabilities. This book is an expanded discussion of the views Dissanayake put forth in her earlier work What Is Art For? What Is Art For?